The Greenest Micro-Granulated Stopper for Sparkling Wines Has Arrived
A new era in sparkling wine closures has arrived in Australia and New Zealand. Spark One Xpür® is the latest innovation from Amorim, bringing winemakers the perfect combination of purity, performance, and sustainability.
Engineered for Effervescence
Sparkling wines require precision sealing to maintain their signature bubbles. Spark One Xpür® is treated with Amorim’s advanced Xpür® technology, which removes TCA and other volatile substances while preserving the natural elasticity of cork granules. The result? A high-performance micro-granulated stopper that ensures optimal pressure retention and sensory neutrality.
Why Spark One Xpür® Stands Out
Superior Pressure Retention – Protects the delicate effervescence of sparkling wines
Unmatched Sensory Purity – No off-flavours, just the wine as it was intended
Sustainable Innovation – The world’s greenest micro-granulated cork stopper
Seamless Uncorking – No breakage, crumbling, or particle release
Now Available for Australasian Wineries
For the first time, winemakers in Australia and New Zealand have access to Spark One Xpür®, offering a sustainable, reliable, and high-performance closure designed specifically for premium sparkling wines.
Revolutionising Wine Sealing with the World’s Greenest Micro-Granulated Cork
For years, winemakers have faced the challenge of TCA contamination, which can compromise the purity and aroma of wines. Now, Xpür®, Amorim’s latest breakthrough in technical cork technology, is setting a new benchmark in performance, sustainability, and sensory neutrality.
A New Standard in Technical Cork Purity
Xpür® uses supercritical fluid technology, a cutting-edge process that eliminates TCA and other volatile compounds, making cork taint a thing of the past. Unlike some competitors that rely on synthetic additives, this process preserves the integrity of cork granules, ensuring a perfect balance between tradition and innovation.
Xpür® vs. The Alternatives
While some alternatives use synthetic binding agents, Xpür® remains a micro-granulated cork stopper, delivering a cleaner, more sustainable solution. Amorim’s innovation ensures:
TCA Below Detectable Limits – 0.3 ng/L or less
Unmatched Sensory Purity – Preserves the original character of the wine
Sustainable & Eco-Friendly – The world’s greenest micro-granulated cork stopper
Optimised Oxygen Management – Ideal for long-term ageing and preservation
Why Australasian Winemakers Are Choosing Xpür®
In a market where quality and consistency are paramount, Australian and New Zealand winemakers are moving towards Xpür® for its superior performance and sustainability. Whether for boutique wineries or large-scale production, Xpür® offers the best of both worlds—technical excellence and environmental responsibility.
Amorim Cork Composites, Corticeira Amorim’s business unit that develops products, solutions and applications for some of the most sophisticated industries in the world, is celebrating the successful test flight of a groundbreaking electric plane that used Amorim cork in its battery system.
The ‘Spirit of Innovation’ officially became the world’s fastest all-electric vehicle in January 2022, when speeds of 387.4mph reached during test flights in November 2021 were officially verified by the Federation Aeronautique Internationale – breaking three separate world speed records. It was the result of a long-term partnership between Rolls-Royce, YASA and Electroflight – a British aviation energy storage specialist and Amorim’s customer on this project.
Electroflight designed the entire powertrain and integrated battery system for the Spirit of Innovation, using three YASA 750 R axial-flux electric motors and more than 6,000 Murata VTC6 18650 NCA cylindrical cells. They needed to find a material for the battery case that would not only be structurally robust, but would also be light and extremely fire resistant.
Douglas Campbell, Technical Director for Electroflight, explained: “The battery case was an extremely challenging piece of engineering, as the entire powertrain is connected to the front of the aircraft. The battery case is therefore doing an extremely important job, not just providing containment in the case of a battery fire, but also keeping the front of the aircraft connected to the fuselage structure. On top of that, we had to keep weight to an absolute minimum, and ensure that the product used for the battery case was highly fire-resistant.”
Electroflight worked with Amorim Cork Composites to develop a fire-proofed agglomerate for the battery case internals made from cork lining. This unique invention, now patented, had the added benefit of being made from natural sustainable materials – a vital component given the overall objective of the ACCEL project: to accelerate aviation on the path to decarbonisation.
António Rios de Amorim, Chairman and CEO of Corticeira Amorim, said: “In the wake of COP26 last November, the need for electrification has never been clearer and aviation is one of the top priorities. It has been an honour to work with world-class businesses such as Electroflight and Rolls-Royce to further progress on the journey to aviation decarbonization, and the fact that we have created a new invention that could now help others down this path is extremely rewarding. We look forward to even more projects in this space that will champion the use of cork, one of nature’s most sustainable products.”
Douglas concluded: “This was an extremely successful project and we were pleased to partner with Amorim in bringing new innovations to market. Electroflight is looking forward to future work with Amorim to develop new technologies that will support the electrification and decarbonization of aviation.”
Cork from Corticeira Amorim was chosen by the artist, Pedro Cabrita Reis, to create his most recent international project: “The Three Graces”, a tribute to the remarkable work of classical antiquity, now on display in the Tuileries Garden, in Paris. Integrated within the 2022 France-Portugal Season, the multifaceted Portuguese artist was invited by Laurence des Cars, President of the Louvre Museum. His original work consists of three monumental autonomous elements, entirely made of cork, using a new reference specially designed for this purpose by Amorim Cork Composites – Corticeira Amorim’s Composite Cork Business Unit. Each sculpture, which was painted in a delicate shade of ivory white at the end of the creative process, weighs approximately 500 kilos, is about 4.50 meters high and is supported on an iron base, weighing 400 kilos. The total implantation has a 9-metre diameter.
The three anthropomorphic figures, which evoke deconstructed human forms, were concluded in Corticeira Amorim’s premises, which were transformed into Pedro Cabrita Reis’ ideal studio for a few weeks. The work began many months ago, based on multiple notes, a countless number of drawings and models based on religious statues purchased in souvenir shops. Once the models conceived by the artist were found, the objects were then scanned, transformed into a computer drawing and a robotic arm began to carve the cork blocks in a segmented manner. The sculptural triad finally took shape with the assistance of cutting-edge technology from a startup based in the University of Porto’s business incubator. Pedro Cabrita Reis marked the plane cuts in each volume and used the same cork blocks in their raw state to reinforce the disarticulation of each body.
Speaking about his use of this genuinely Portuguese raw material in this first creative adventure in the world’s most important museum, the Portuguese artist commented: “I really enjoyed making these works in cork, and I’m absolutely sure that this isn’t the last time that I will be using this material in my work”. He added: “Cork is a natural and sustainable product”. In relation to Corticeira Amorim’s involvement in the process, Pedro Cabrita Reis stated that “Amorim immediately demonstrated absolute availability and enthusiasm. For this new project they built a set of circumstances, of material logistics, of discussion about the structure. Amorim was an open, active and committed partner”.
Corticeira Amorim’s Chairman and CEO, António Rios de Amorim explains that the company has embraced its association with the project “The Three Graces”: “One of the best formulae for positioning cork as a raw material of excellence is its permanent connection to the creative, artistic and cultural universe. We’re talking about architecture, design, sculpture, drawing, decoration or any other paradigm of imaginative composition. This is reinforced when we add to this certainty the possibility of combining our efforts with artists such as Pedro Cabrita Reis, since our project’s success is thereby immediately guaranteed”.
In Greek mythology, the Three Graces – Euphrosyne (joy), Aglaia (elegance and splendour) and Thalia (youth and abundance) – are the goddesses of beauty. They are usually represented naked, standing, and gracefully embraced, “The Three Graces” are often chosen as symbols of seduction, concord, gratitude, creativity and fecundity. They have been recurringly portrayed in the history of art in the most diverse disciplines. Depiction of Euphrosyne, Aglaia and Thalia declined from the 19th century onwards, and is today often reduced to mere feminist representations. The 2022 France-Portugal Season, running between February and October 2022, aims to deepen the relationship between the two countries, based on a set of programmes, projects and activities spanning various fields.
Divers have discovered what is thought to be the world’s oldest drinkable champagne in a shipwreck in the Baltic Sea. They tasted the one bottle they’ve brought up so far before they even got back to shore.
Diving instructor Christian Ekstrom said the bottles are believed to be from the 1780s and likely were part of a cargo destined for Russia. The nationality of the sunken ship has not yet been determined.
“We brought up the bottle to be able to establish how old the wreck was,” he told The Associated Press. “We didn’t know it would be champagne. We thought it was wine or something.”
Ekstrom said the divers were overjoyed when they popped the cork on their boat after hauling the bubbly from a depth of 200 feet.
“It tasted fantastic. It was a very sweet champagne, with a tobacco taste and oak,” Ekstrom said.
The divers discovered the shipwreck Tuesday near the Aland Islands, between Sweden and Finland. About 70 bottles are believed to be aboard the sunken vessel.
Ekstrom said he is confident of the champagne’s age and authenticity, but samples have been sent to laboratories in France for testing. “We’re 98 percent sure already because of the bottle (we found),” he said.
Swedish wine expert Carl-Jan Granqvist said each bottle could fetch $68,000 if the corks are intact and the sparkling drink is genuine and drinkable.
“If this is true, it is totally unique,” said Granqvist, one of the experts contacted by Ekstrom and his team. “I don’t know of any other (drinkable) bottle this old. I’ve never even heard of it.”
Granqvist said he had seen pictures of the bottle, and it had languished in near-perfect storage conditions — in the dark at a constant cold temperature.
“If it’s the right atmosphere outside, and inside the bottle the cork is kept dry in the middle; it keeps itself,” he said.
For Daniel Michalik, the designer responsible for creating the items of furniture, “cork was a natural choice”
It is in bustling New York that the first Google Store comes to life. In contrast to the city’s frenetic pace and the concrete colors, cork was the material chosen for development of the store’s items of furniture, bringing a sense of calm to the Great Apple and fostering a perfect symbiosis between Nature and Technology. We spoke with Daniel Michalik, the designer responsible for creating the items of furniture, who affirmed that “cork was a natural choice”, due to both its sustainability credentials and warm visuals.
How did this project come about and why did you choose cork for the first Google Store?
I should first note that the Store was designed by Reddymade, a New York Architecture office founded by Suchi Reddy. I was working directly for them, although Google was of course the end client. There were three main reasons why Google was interested in choosing cork as a theme for their retail environment. First, their objective for this space was to be among the few to achieve LEED Platinum status. That made cork a natural choice, since it is so sustainable. Second, they wanted a material that had a friendly, humanistic character to it. This is one of the qualities that has always attracted me to cork. Third, cork was used in the Store’s “contextual zone”, meaning that the goal was to build a “simulation” of an actual home environment, so customers could imagine the home products in their own environment. Cork has a “blank slate” quality to it, in that visitors can project their own ideas or experiences on to the material.
Which items of furniture were developed for the Store?
We developed full scale, functional furniture in combinations of cork and American White Oak for the space. These included furniture for a living space, including a sofa, lounge chair, large round ottoman, coffee table, bookcase, side tables, etc. We also designed objects for a children’s space, including a bed, rug, shelving, desk and chair. Finally, we designed elements for a “kitchen” space, including a counter with a cork sink, a bar, bar stools, etc. Everything was designed and built in our studio in Brooklyn, New York.
Why did you suggest using cork?
I advocated for the use of cork, because it is one of the healthiest materials on the planet. Cork is a healthy material, from the perspective of the natural system’s health / renewability, from the perspective of human labor and paying fair wages to all those involved in the supply chain, and from the perspective of the health of those that use objects made from cork.
What do you like the most about this raw material?
I love the fact that when one works with cork, whether you are a farmer, harvester, producer or designer, one must take the entire ecosystem into account. Since cork is responsibly harvested, the material is not just extracted. It is extracted from the tree, but the tree grows stronger and healthier. When the tree grows stronger, the ecosystem and the biodiversity that relies on the tree grows stronger. Traditional human wisdom and skill is respected, so the culture grows stronger. Cork is a model that humans must learn from as we enter the climate crisis, and have to redefine our relationship to materials.
When did you start using cork in your projects?
I have been designing cork furniture and objects since 2005. In this year, I completed my Master’s degree in Furniture Design at The Rhode Island School of Design. My Master’s thesis was all about new uses of cork in furniture. In the following year, I exhibited my thesis project at the Salone del Mobile in Milan, and from there my cork practice was born.
What was it like to work with Amorim Cork Composites?
ACC has been a partner in my cork design projects for many years. First, ACC is committed to innovation, and is forward-looking in seeing the new potential for cork applications in design and architecture. ACC was able to custom produce many of the materials and components for this project. Second, ACC and Amorim are world leaders in cork, and are at the forefront of the sustainability and human concerns in the industry. ACC has deep respect for the culture, history and embedded wisdom of cork agriculture and industry.
Integrated within the top of the car’s dashboard, sun visors and doors, cork is a natural raw material which helps reduce the environmental footprint of the German manufacturer’s custom-made one-off car
Integrated within the top of the car’s dashboard, sun visors and doors, cork is a natural raw material, which helps reduce the environmental footprint of the German manufacturer’s custom-made one-off car, (co-)created by the British designer, Paul Smith. The raw material is supplied by Amorim Cork Composites, and brings comfort, impermeability, thermal and acoustic insulation, anti-vibration and other valuable attributes to the MINI Strip.
Moulding techniques have made it possible to take advantage of cork’s natural characteristics, such as lightness, elasticity and softness to the touch, thereby endowing a feeling of well-being, natural beauty and comfort to the car. Given cork’s resilience, compressibility and resistance to friction this unique solution can withstand the demands of everyday life – whether for daily use, sports driving or catering to different road surfaces.
Corticeira Amorim’s Chairman and CEO, António Rios de Amorim, reveals that “the use of cork in an iconic car model such as the Mini reflects a core premise of change in the mobility sector, that is already well underway. This is a paradigm shift of which Corticeira Amorim forms an integral part… Cork is such an exceptional raw material by nature that it may seem impossible to improve it. But that is precisely what Corticeira Amorim has achieved over the last 150 years, through structured innovation programmes, making a firm commitment to differentiation based on cork’s unique qualities. Our company is making an unparalleled contribution in the cork sector to reinvention of this unique natural material”.
The integration of cork in the interior of the new MINI Strip is yet another achievement, in line with Corticeira Amorim’s mission: to add value to cork in a competitive, differentiated and innovative manner, in perfect harmony with Nature. In other words, to promote the development of sustainable products, practices and solution, while satisfying consumer needs, anticipating market trends, and exceeding the expectations of some of the world’s most technological, disruptive and demanding business activities.
In January 2020, Amorim began a series of exciting initiatives to celebrate the Group’s 150th anniversary. At the same time, our Australian sales company, Amorim Australasia, was making a significant move to a purpose-developed facility; the first in the world to adopt and showcase the company’s new branding.
As the year progressed, many of the planned celebrations had to be put on hold and the Group’s resilience was tested, but Amorim Australasia was able to harness its new capacity and defy market trends by delivering what will be a record result for the business unit.
To celebrate the move, the remarkable year of 2020 and the Group’s 150th Anniversary, the team at Amorim Australasia have planted two cork trees. These trees are symbolically significant, representing new beginnings in our new premises, and our inherent ties to Portugal, resilience and pride.
One tree has been planted at the front of the building, provided with occasional shade from the Australian and Portuguese flags which fly proudly next to it. The other tree stands in the light-filled foyer of the new building, in a purpose-built cork-clad planter. One embraces nature, the land and the climate, whereas the other is controlled in a modern context. Both trees are already a talking point for visitors to the site and help tell the beautiful story of cork and its origins as well as its evolution in terms of quality performance.
Amorim Australasia’s CEO, Tim Stead commented “Whilst we are on the other side of the world from our headquarters in Portugal, we felt it was important to mark this historic year for the Group. Planting a tree is a broadly used symbolic nod to the future and new beginnings, but a cork tree represents so much more, in terms of patience, determination, longevity and history. These slow growing, resilient trees and their generous gift of cork bark are well aligned with our journey in this market which at times has tested our resolve. We are now thriving, nourished by the embrace of our market, bringing value and sustainability to our industry.”
